29/9/2014



Springtime at Giambattista Valli SS 15

26/9/2014



47 notes

Animal necklaces at LANVIN SS15

25/9/2014



218 notes

ladycrappo:

A wind-up magpie for Haruki Murakami’s The Wind-Up Bird Chronicle

(via murakamistuff)

24/9/2014



1 note
“Golden States was a funny thing. It is my first novel. I wrote it very, very quickly. I was about to turn thirty, and I realized what I had for my years of writing thus far was seventeen abandoned beginnings. I began to realize that this was where old failures come from. First they’re young failures, then they’re middle-aged failures, then they’re old failures.
I was working in a bar and I suddenly had this vivid image of myself at sixty, still in the bar, still talking about the novel I was going to write someday. So I said to myself, “Sit down now and finish something. It doesn’t matter what. Just start it at the beginning, write through the middle and reach the end and then stop.” And that was that book. It came out very quickly. And it’s true. It does contain some of the people I seem to have continued to write about. Boys looking for something, women looking for a way out.
I never felt good about that book, because I wrote it too fast. Because I knew it wasn’t the best book I could write.
I’ve always felt that literature and reading have so many enemies—and writers are the very least of the enemies of writing and reading. But I do sometimes find myself looking through the books in a bookstore and galleys people have sent me, thinking, you could have done better than this. You did not put your ass on the line. Here’s just another book taking up space in the universe, and this is part of what is making it hard to keep books alive in the world. They just stack up like cordwood.
I’m so much more interested in some kind of grand ambitious failure than I am in someone’s modest little success that achieves its modest little aims. I felt that I had written a book like that, and I wasn’t happy about it.”

Michael Cunningham on his first,  disowned novel “Golden States”. Very interesting opinion.

I am about to read it and i am sure it will be better than 99% of contemporary literature out there.

23/9/2014



2 notes

Sparkling buckles at Versace SS15

Tagged: Versace, ss15, fashion,

16:30



2 notes

Shoes at Giorgio Armani SS15

13:15



Bejeweled jeans at Dolce & Gabbana SS15

Bejeweled jeans at Dolce & Gabbana SS15

22/9/2014



3 notes

"Ex-voto" details at Dolce & Gabbana SS15

17:20



12 notes

Lisa Marie in “Let’s Get Lost” (Bruce Weber, 1988)

16:30



2 notes

Bold oriental flowers at Marni SS15

Tagged: Marni, fashion, ss15,

15:42



Details at Pucci SS15

Tagged: Pucci, ss15, fashion,

15:33



Collar details at Giorgio Armani SS15

15:26



1 note

Shoes by Marni SS15

Tagged: shoes, Marni, ss15, fashion,

15:06



Red carnations and roses at Dolce & Gabbana SS15

Love the makeup too.

19/9/2014



772 notes

truthandmovies:

"I think that movies are different things to different people. To me, they’re a really important part of cultural identity. They’re a great touchstone to who we were and what were on about at any given time. You look back to the cinema of the ’70s and ’80s and you see all different types of actors and palettes. It wasn’t so much about physical perfection. You had very odd leading men. It’s interesting how movies and culture reflect who we are. You’ll find that the movie business is paid for by those mega movies. The movie business is paid for by Big Macs. By movies as product. Movie studios use that term “product” all the time. Product? You mean you have a lot of stories? No, we have a lot of product. You have stories."

– DAVID FINCHER

READ THE FULL “GONE GIRL” INTERVIEW WITH DAVID FINCHER ON LITTLE WHITE LIES 

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